tag:blogger.com,1999:blog-1044093134244059252024-03-18T20:24:26.895-07:00Maulanaphotoworks, Photography Tips, Photography Tutorial, Basic Photographyphotography tips and trick, photography tutorial, photography video, basic photography, basic lighting, sound-activated trigger, models, posing, flash, camera, lens, canon, nikon, olympusMaulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.comBlogger40125tag:blogger.com,1999:blog-104409313424405925.post-28052566470852059472011-06-19T11:03:00.001-07:002011-06-19T11:03:21.247-07:00(Road Trip)..Pantai Klayar<div class='posterous_autopost'><p>Niat awal perjalanan kali ini sebenarnya adalah menyaksikan gerhana bulan total yang terjadi pada malam tgl 15/6/2010.Bersama 4 orang teman, Farhan, Shofa, Afif dan Ata..perjalanan dari Jogja kira-kira pukul 5 sore, sampai Klayar kira-kira pukul 9.30 malam. Dan yaa.....begitu sampai tujuan langsung pasang kamera di trripod dan, woow...bulan purnama + tripod + kamera = SUPER AWESOME!! Foto malam bagaikan foto di siang hari!</p> <p>Lah...lalu foto gerhananya?? ngga ada!! :)) , tidak satupun foto gerhana saya abadikan...saya hanya menyaksikan proses awal gerhana...tengah...dan akhir gerhana, di antara waktu tersebut...tidooor, dan tanpa satu frame pun gerhana terekam kamera :))</p> <p><div class='p_embed p_image_embed'> <a href="http://posterous.com/getfile/files.posterous.com/temp-2011-06-19/isrzJtaiJvyJGdEtlpyanDJqxkFdvpvnDEdhFqfqjhahrpoGnmlsvIDajdIl/IMG_0007.jpg.scaled1000.jpg"><img alt="Img_0007" height="341" src="http://posterous.com/getfile/files.posterous.com/temp-2011-06-19/isrzJtaiJvyJGdEtlpyanDJqxkFdvpvnDEdhFqfqjhahrpoGnmlsvIDajdIl/IMG_0007.jpg.scaled500.jpg" width="500" /></a> <a href="http://posterous.com/getfile/files.posterous.com/temp-2011-06-19/xhjArkirJAstparwiJBhosBhdwvkcmkrnJEjujuGDlFHhweiaGzqcHEqdGuv/IMG_0012.jpg.scaled1000.jpg"><img alt="Img_0012" height="327" src="http://posterous.com/getfile/files.posterous.com/temp-2011-06-19/xhjArkirJAstparwiJBhosBhdwvkcmkrnJEjujuGDlFHhweiaGzqcHEqdGuv/IMG_0012.jpg.scaled500.jpg" width="500" /></a> <a href="http://posterous.com/getfile/files.posterous.com/temp-2011-06-19/raktApfssroqsAdhndztnHzxocoxwxlqyqHjDqBygtcrdIBfaxkuFmkezdvu/IMG_0017.jpg.scaled1000.jpg"><img alt="Img_0017" height="340" src="http://posterous.com/getfile/files.posterous.com/temp-2011-06-19/raktApfssroqsAdhndztnHzxocoxwxlqyqHjDqBygtcrdIBfaxkuFmkezdvu/IMG_0017.jpg.scaled500.jpg" width="500" /></a> <a href="http://posterous.com/getfile/files.posterous.com/temp-2011-06-19/FmyFwJIIEvpFGDvIecobJAktfDvzlpBJArIHnpHqoGEFdIxgFCfhmaqvpBlu/IMG_0019.jpg.scaled1000.jpg"><img alt="Img_0019" height="327" src="http://posterous.com/getfile/files.posterous.com/temp-2011-06-19/FmyFwJIIEvpFGDvIecobJAktfDvzlpBJArIHnpHqoGEFdIxgFCfhmaqvpBlu/IMG_0019.jpg.scaled500.jpg" width="500" /></a> <a 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src="http://posterous.com/getfile/files.posterous.com/temp-2011-06-19/BJeDipACJCgBkDrEaodEcdJolJctGhswBwjkFvehulFxgjnIsBBlqJimyJzc/IMG_0136.jpg.scaled500.jpg" width="500" /></a> <a href="http://posterous.com/getfile/files.posterous.com/temp-2011-06-19/gFfgmtzdpgEufvvlxDcelFmvEsDmwudyJrrGkbaGoythwHwHFGAGsapfdqJe/IMG_0138.jpg.scaled1000.jpg"><img alt="Img_0138" height="324" src="http://posterous.com/getfile/files.posterous.com/temp-2011-06-19/gFfgmtzdpgEufvvlxDcelFmvEsDmwudyJrrGkbaGoythwHwHFGAGsapfdqJe/IMG_0138.jpg.scaled500.jpg" width="500" /></a> <div class='p_see_full_gallery'><a href="http://maulanaphotoworks.posterous.com/road-trippantai-klayar">See the full gallery on Posterous</a></div> </div> </p></div>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-40079854590663683982011-03-01T23:20:00.001-08:002011-03-05T05:45:16.946-08:00OneSlidePhotography.com<div class='posterous_autopost'><p>please visit our new partner site for more about photography tips and tutorial, photography article, photography equipment, photography books...and many more! :)</p><p><a href="http://oneslidephotography.com" title="oneslidephotography"><strong><span style="font-size: large;">http://oneslidephotography.com</span></strong></a><div class='p_embed p_image_embed'><a href="http://posterous.com/getfile/files.posterous.com/temp-2011-03-01/CrrestcIbnzywqryAwxDnJfjghedkEquDACvmjiqdsufrqffeyDnlvdqbcdt/oneslidephotography.jpg.scaled1000.jpg"><img alt="Oneslidephotography" height="303" src="http://posterous.com/getfile/files.posterous.com/temp-2011-03-01/CrrestcIbnzywqryAwxDnJfjghedkEquDACvmjiqdsufrqffeyDnlvdqbcdt/oneslidephotography.jpg.scaled500.jpg" width="500" /></a> </div></p><p> </p></div>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-75613375433906308132011-02-27T20:34:00.000-08:002011-02-27T20:36:40.625-08:00Basic Portrait LightingLearn 3 different studio portrait lighting techniques using just one light.<br />
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<object style="height: 304px; width: 500px;"><param name="movie" value="http://www.youtube.com/v/uH84-pA7p-c?version=3"><param name="allowFullScreen" value="true"><param name="allowScriptAccess" value="always"><embed src="http://www.youtube.com/v/uH84-pA7p-c?version=3" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="500" height="304"></object>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-49952757184511106842011-02-27T16:49:00.000-08:002011-03-05T08:31:28.261-08:0010 Things You Should do to Prepare for Strobist Photography<div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8KK5OuYcJMsPdCdYNraotLunBL9agteXUIBsxTl19I5gYDUdb8WTHygDREmmK7lHyBAO1Tgr0l1ZkZsSYkr5CY0l3oPEsBoOoPOYS0kjXE7iw8jTJ9AFjnrkY3VfUaEdTPynvkabKaQ/s1600/strobist_photography_tips.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8KK5OuYcJMsPdCdYNraotLunBL9agteXUIBsxTl19I5gYDUdb8WTHygDREmmK7lHyBAO1Tgr0l1ZkZsSYkr5CY0l3oPEsBoOoPOYS0kjXE7iw8jTJ9AFjnrkY3VfUaEdTPynvkabKaQ/s1600/strobist_photography_tips.jpg" /></a> </div><div style="text-align: center;"><i><span style="font-size: x-small;"><a href="http://www.joeyl.com/">Photographed by Joey Lawrance</a></span></i></div><div style="text-align: center;"><br />
</div>Over the last couple of years the term strobist has become increasingly popular in the world of amateur photography. A strobist is a photographer who uses off-camera flash (OCF) to take pictures. Instead of the usual pop-up flash or speedlight attached on top of the camera, strobists use OCF to achieve more pleasing and more dynamic photographs. This is a result of the placement of the light, since it is not limited to one direction, i.e. the top of the lens. With off-camera flashes, you can experiment to achieve better results. <br />
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Traditional photographers used to seek out the best light possible in order to make great photographs, strobists create it themselves. At the heart of the stobist movement is being able to understand how light, and more specifically the combination of light from multiple sources contributes towards great photographs.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju9jMO6RbYcfyqRaO6RlEtHaxTu72PLkNYfTjLnxKvFRPJR3eEl13xHZzPxIv67P-8OQoHCHGKsBxwBTKz3m2Tk-05vDekQOOLSaAx5juqAxkm29P1pOen4TTquK5L5hXGSiEMV7Ramw/s1600/strobist_photography_tips2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju9jMO6RbYcfyqRaO6RlEtHaxTu72PLkNYfTjLnxKvFRPJR3eEl13xHZzPxIv67P-8OQoHCHGKsBxwBTKz3m2Tk-05vDekQOOLSaAx5juqAxkm29P1pOen4TTquK5L5hXGSiEMV7Ramw/s1600/strobist_photography_tips2.jpg" /></a></div><div style="text-align: center;"><a href="http://www.joeyl.com/"><i><span style="font-size: x-small;">Photographed by Joey Lawrence</span></i></a></div><br />
Here are, some tips of strobist photography:<br />
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1. You shall not tether your camera to your strobe when you can use a radio slave.<br />
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2. You shall not break your back with heavy equipment as long as you can get the job done with lighter equipment.<br />
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3. You shall not use big lights when a small strobe can get the job done.<br />
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4. Always find a way to fit your equipment in one small case able to fit in the overhead compartment of an airline seat.<br />
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5. Always be able to fit all equipment in the trunk of a small car.<br />
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6. You shall not light the volume of space, only light the visible planes.<br />
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7. You shall never take more time to unpack gear than to shoot assignment.<br />
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8. Always carry extra flashes.<br />
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9. Learn to play well with ambient light.<br />
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10. You shall not enslave your strobe to the limits of on-camera flash. Good light almost never primarily comes from the top of the camera.<br />
<a href="http://www.yourphototips.com/2009/12/07/the-10-commandments-of-a-strobist-photographer/%0A"><span style="font-size: x-small;">[via] </span></a><br />
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<iframe align="left" frameborder="0" marginheight="0" marginwidth="0" scrolling="no" src="http://rcm.amazon.com/e/cm?t=widgetsamazon-20&o=1&p=8&l=bpl&asins=0321752872&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr" style="height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;"></iframe>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-54077079093819317272011-02-24T05:13:00.000-08:002011-03-05T08:31:51.390-08:006 Tips for Improving Camera Phone Photos<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyYSszcY7KuHhMDa2N66pe5ex7U5oEIeR__K22cE_vsaYY9OWm_veKEIxX9nfZNQagywcpsbDE3v3oEER1hBNbxS2iQn0fvpgcK0bGxyqChw4cS-gfNOI6hCTFOkU5gkqDOG9VUlkdxA/s1600/IMG_0345.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyYSszcY7KuHhMDa2N66pe5ex7U5oEIeR__K22cE_vsaYY9OWm_veKEIxX9nfZNQagywcpsbDE3v3oEER1hBNbxS2iQn0fvpgcK0bGxyqChw4cS-gfNOI6hCTFOkU5gkqDOG9VUlkdxA/s400/IMG_0345.jpg" width="400" /></a></div><div style="text-align: center;"><i><span style="font-size: x-small;">Taken With iPhone 4G</span></i></div><br />
Camera phones have opened up a whole new world to hobbyists who enjoy the convenience and ease of phone photography. Learn some of the secrets you need to know to take great looking photographs with your camera phone by simply taking advantage of its capabilities, and learn how easy it is to share your photos to your friend either electronically or by printing them out. Whether you've never used your camera phone before or you already snap and send phone pictures daily, there are ways to improve your phone photography and shape up your photos. <br />
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<b>1. Take care of your lens</b><br />
Camera phone lenses get dirty very easily. Phones spend a lot of time in pockets, in bags and being used in all manner of weather and conditions. As a result they get dirty and can easily become damaged – fingerprints are a common problem on camera lenses – especially if your phone doesn’t have a lens cover. From time to time clean the lens of your camera using a soft cloth (sunglasses cleaning cloths are great).<br />
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<b>2. Avoid Using the Digital Zoom</b><br />
As tempting as it might be to zoom in on your subject when taking your picture (if you have a zoom feature on your camera phone), if the zoom is a ‘digital zoom’ it will decrease the quality of your shot to use it (you’ll end up with a more pixelated shot). Plus you can always edit your shot later using photo editing software on your computer. Of course some camera phones are beginning to hit the market with ‘optical zooms’ – these are fine to use as they don’t enlarge your subject by enlarging pixels. Instead, physically move yourself closer to your subject in order to fill up more of the frame.<br />
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<b>3. Use the highest resolution possible on your camera phone</b><br />
Some phones allow you to choose what resolution you want to take photos at. It almost goes without saying (but we like to state the bleeding obvious) that the higher your resolution the clearer your shot will be. This is especially true for camera phones which often have sensors of under 1 megapixel in them. Keep in mind however that the higher the resolution the larger the file size of the images you take – this means if you want to send images they can end up taking a long time to send.<br />
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<b>4. Timing is everything</b><br />
Hold still! Unlike the shutter release on a regular camera, which fires when you press down, many cell phone cameras do not take the picture until you lift your finger off the button. Most camera phones suffer from shutter lag, meaning the photo is not captured until a second or two after you snap it. Remember these two timing issues and be sure to hold your camera phone very still until you are sure your image is captured.<br />
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<b>5. Edit Images Later</b><br />
Whilst it can be fun to use your camera phone’s inbuilt editing and effects, editing pictures later on your computer produces much better quality images. Take your shots in color at high resolution to keep your options open on how to treat it later. You can always make it black and white on your computer, but you can’t make it color if you take it in Black and White mode.<br />
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<div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfsbunQ-_qLumF1JyRTuIdnnRhpcdzLAk2Ot02QYBeha7yU4nk59-nBEucLvtGwgXnXaTQ8rGwVXesYBm4y-maNwjy2ksOoHsC0lz9UA1cAX54XjO8w6OZDJopQ5WcxjGuv1W4cVemow/s1600/9.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="303" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfsbunQ-_qLumF1JyRTuIdnnRhpcdzLAk2Ot02QYBeha7yU4nk59-nBEucLvtGwgXnXaTQ8rGwVXesYBm4y-maNwjy2ksOoHsC0lz9UA1cAX54XjO8w6OZDJopQ5WcxjGuv1W4cVemow/s400/9.jpg" width="400" /></a></div><div style="text-align: center;"><i><span style="font-size: x-small;"> Taken With SE K810i</span></i></div><br />
<b> 6. Get Close to Your Subject</b><br />
One of the most common mistakes with camera phone images is that their subject ends up being a tiny, unrecognizable object in the distance. Camera phone images tend to be small due to low resolution (although this is changing) – so fill up your view finder with your subject to save having to zoom in on the subject in editing it later (which decreases quality even more). Having said this, getting too close on some model camera phones creates distortion and focusing issues (particularly if the camera phone doesn’t have a macro or close focusing mode). <br />
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<b>7.Remember the limitations</b><br />
More likely than not, your camera phone does not allow you to make any adjustments to compensate for lighting and environmental conditions. It is difficult to capture fast-moving subjects or anything in low light with phone photography. Do not depend on your camera phone to take high-quality photos of your favorite band in concert and expect the snaps to be even halfway decent. The best camera phone pictures are taken of still subjects in bright daylight. If shooting indoors, light your subject well.<br />
<span style="font-size: x-small;"><a href="http://www.digital-photography-school.com/how-to-use-a-camera-phone">[via]</a> <a href="http://www.ehow.com/way_5188409_phone-photography-tips.htmlhttp://www.ehow.com/way_5188409_phone-photography-tips.html">[via]</a></span><br />
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<iframe align="left" frameborder="0" marginheight="0" marginwidth="0" scrolling="no" src="http://rcm.amazon.com/e/cm?t=widgetsamazon-20&o=1&p=8&l=bpl&asins=1426200900&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr" style="height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;"></iframe>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-50046292135754934422011-02-23T03:48:00.000-08:002011-03-05T08:32:17.398-08:00How to Choose The Best Digital Camera for You!<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuIJ3YkWZSDRv_c4mj8Wa150_HGwnCIwHTXZ6OXI-zcrGHbQAB073JGzCF1quNq3F9JicpD8WwX89VEocfjhNvunoMe4CI-J29BGEW70YTt9BObYjOPUzYI68CWA8mSFDxRdtJIVi4Tg/s1600/how_to_buy_the_best_camera_for_you.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuIJ3YkWZSDRv_c4mj8Wa150_HGwnCIwHTXZ6OXI-zcrGHbQAB073JGzCF1quNq3F9JicpD8WwX89VEocfjhNvunoMe4CI-J29BGEW70YTt9BObYjOPUzYI68CWA8mSFDxRdtJIVi4Tg/s400/how_to_buy_the_best_camera_for_you.jpg" width="400" /></a></div>Here are a few tutorials and guides from our sites that might be of some assistance in choosing the best camera for you. The following tips will help you get the best deal when choosing a digital camera. <br />
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1.<i><b>Set a basic budget on how much money you want to spend</b></i>. Be realistic about the fact you won't be able to get the best of every feature, as you'll have to make tradeoffs.<br />
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2.<i><b>Determine your experience level.</b></i> Are you a novice or an expert when it comes to digital photography? If a novice, a point and shoot might suffice. Experts will want more manual control over the exposure process.Dslr-Point-And-ShootWhile digital SLRs are getting more affordable they are not for everyone. Keep in mind that they are usually bigger, heavier, harder to keep clean (if you’re changing lenses) and can be more complicated to operate than point and shoot. Of course there are some upsides also. <br />
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3.<i><b>Check reviews on the web.</b></i> <a href="http://www.dpreview.com/">http://www.dpreview.com</a>, <a href="http://www.imaging-resource.com/">http://www.imaging-resource.com</a>, and <a href="http://www.steves-digicams.com/">http://www.steves-digicams.com</a> are the leading sites for serious photographers, while <a href="http://www.cnet.com/">http://www.cnet.com </a>has good reviews for more casual users. When you're trying to decide between two choices, or just want to explore similar cameras, search <a href="http://www.vsxl.com/">http://www.vsxl.com</a>.<br />
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4.<i><b>Make a list of which features are important to you, and prioritize the list.</b></i> Keep in mind that there are tradeoffs, for example, size vs. optical zoom. You probably won't get everything you want.<br />
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5.<i><b>Consider which type of batteries would be most useful to you.</b></i> Your main options are either AA batteries or a rechargeable lithium battery pack. Rechargeable pack may be lighter and last longer, but when it wears out, it may be difficult to buy a replacement. If camera takes AA batteries, it can usually run on rechargeable AA batteries as well - these are not manufacturer specific and can be easily replaced when needed.<br />
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6<i><b>.</b></i><i><b>Try not to end up with a complete compromise camera.</b></i> Decide what's important and get something best at that, rather than middle-of-the-road in everything.<br />
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7.<i><b>Remember that megapixels do not equal good pictures.</b></i> There are many other things, including the lens, that determine the quality of the image. 3 megapixels is the minimum you should look at. A 3 megapixel camera will get you excellent 4x6 prints, if you want anything bigger consider a 4 or 5 megapixel -or more if your budget will allow. Talk to a photo store professional for more information about how many megapixels you will need your camera to have to make a quality picture in the print size you want.<br />
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8.<i><b>Optical Zooms are King! Not all ‘zooms’ are created equal.</b></i> When you’re looking at different models of digital cameras you’ll often hear their zooms talked about in two ways. Firstly there’s the ‘optical zoom’ and then there’s the ‘digital zoom’. I would highly recommend that you only take into consideration the ‘optical zoom’ when making a decision about which camera to buy. Digital zooms simply enlarge the pixels in your shot which does make your subject look bigger, but it also makes it look more pixelated and your picture ‘noisier’ (like when you go up close to your TV). If you’re looking for a zoom lens make sure it’s an optical zoom (most modern cameras have them of at least 3x in length – ie they’ll make your subject three times as big – with an increasing array of ’super zooms’ coming onto the market at up to 12x Optical Zoom).<br />
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9.<i><b>Buy the camera. If you have time to wait or do not need your camera immediately, we recommend you use price comparison sites</b></i> such as PriceComparison.com or DealTime.com. You will save time and money finding the lowest price. Consider shopping at a local camera store. You will be paying about the same as you would off the internet, you are getting a person behind the counter who knows more about cameras than the internet, and also an easy place to take your camera back if it should happen to malfunction sometime down the road. And economically speaking, you will be supporting your local towns and creating jobs and keeping the money circulating locally.<br />
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10. <i><b>Keep in mind the ‘extras’</b></i><br />
Keep in mind as you look at cameras that the price quoted may not be the final outlay that you need to make as there are a variety of other extras that you might want (or need) to fork out for including:<br />
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* Camera Case<br />
* Memory Cards<br />
* Spare Batteries/Recharger<br />
* Lenses (if you are getting a DSLR)<br />
* Filters (and other lens attachments)<br />
* Tripods/Monopods<br />
* External Flashes<br />
* Reflectors<br />
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Some retailers will bundle such extras with cameras or will at least give a discount when buying more than one item at once. Keep in mind though that what they offer in bundles might not meet you needs. For example it’s common to get a 16 or 32 megabyte memory card with cameras – however these days you’ll probably want something at least of 500 megabytes (if not a gigabyte or two).<br />
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11. <i><b>Do you already own any potentially compatible gear?</b></i><br />
Talking of extra gear – one way to save yourself some cash is if you have accessories from previous digital cameras that are compatible with your new one.<br />
For example memory cards, batteries, lenses (remember that many film camera lenses are actually compatible with digital SLRs from the same manufacturers), flashes, filters etc.<br />
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12.<i><b>Make sure your camera has a warranty that you feel comfortable with. </b></i>Most cameras come with a limited one year warranty, but extended warranties are usually available.<br />
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<span style="font-size: x-small;"><a href="http://www.digital-photography-school.com/how-to-buy-a-digital-camera">[via] </a><a href="http://www.wikihow.com/Select-the-Right-Digital-Camera">[via]</a></span><br />
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<iframe align="left" frameborder="0" marginheight="0" marginwidth="0" scrolling="no" src="http://rcm.amazon.com/e/cm?t=widgetsamazon-20&o=1&p=8&l=bpl&asins=0470768789&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr" style="height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;"></iframe>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-3886640317675841962011-02-23T02:20:00.000-08:002011-03-05T08:32:53.162-08:003 Ways To Search For Awesome Textures<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJo5zxGfF-Qt_g3NgMX1XaiB7itPvTim5qOZclAZcIKKtQwIB3em0MYoUMKc1UhqOeaVqmiUg-TsO87HJO_5ww1N1gay3tu5ybF-VndfzAhxwvuUhdeAJgzvxrVakw5pD-EnVWIRy_7A/s1600/daun.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="362" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJo5zxGfF-Qt_g3NgMX1XaiB7itPvTim5qOZclAZcIKKtQwIB3em0MYoUMKc1UhqOeaVqmiUg-TsO87HJO_5ww1N1gay3tu5ybF-VndfzAhxwvuUhdeAJgzvxrVakw5pD-EnVWIRy_7A/s400/daun.jpg" width="400" /></a></div><br />
Sometimes we can get so caught up with the grand scale of things that we tend to miss the smaller finer things that also make great photographs. If you need a break from taking photos of pristine beaches, snow-capped mountains or tall buildings, it’s time for you to look at objects closer, much closer. <br />
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<u><i><b>1. Smooth and polished</b></i></u><br />
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Textures are great to feel, but they’re also fun to shoot. Many different textures surround us, but not every one of them is going to look good in a photo. For example, smooth surfaces might be nice to touch, but it’s going to be harder to translate this allure on camera. Nevertheless, a few people have managed to capture smooth textures beautifully.<br />
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<u><i><b>2. Rough and bumpy</b></i></u><br />
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Something more rugged with more grooves and bumps will create a interesting photograph. Keep in mind that lighting is also very important. Having the light hit straight on to the texture could make it more flat and less appealing. However, shoot it from an angle for some contrast and you’re on the right path to producing some very intriguing photos.<br />
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<u><i><b>3. Think macro, get up close!</b></i></u><br />
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Try to get as close to the surface as possible. The less likely someone is able to tell what the object is, the better. If you don’t have the cash to spend on a <a href="http://maulanaphotoworks.blogspot.com/search/label/Macro%20Photography">macro</a> lens, an auxiliary close-up lens or a reversing ring are inexpensive alternatives.<br />
<span style="font-size: x-small;"><a href="http://www.photoble.com/photography-tips-tricks/3-ways-to-search-for-interesting-textures/">[via] </a></span>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-67142551251347165552011-02-22T08:44:00.000-08:002011-03-05T08:33:18.302-08:00How to Start Selling Your Photography<a href="http://maulanaphotoworks.blogspot.com/2011/02/how-to-start-selling-your-photography.html"></a><br />
<div id="body"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiULkAxAJBHAl3BV1dYiqMkW58rtuBrBUhyphenhyphen7Aj9bVEafUkHlPg5QLb8PmvDFDff3uRIOMpuMvb1sbahfQtBgoSU_oUkBoAF8MgWpp2hPiZfrsFPr16qpacQ9ZUQPJpYtUA05aU4Tag1-w/s1600/how_to_start_selling_your_photography.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiULkAxAJBHAl3BV1dYiqMkW58rtuBrBUhyphenhyphen7Aj9bVEafUkHlPg5QLb8PmvDFDff3uRIOMpuMvb1sbahfQtBgoSU_oUkBoAF8MgWpp2hPiZfrsFPr16qpacQ9ZUQPJpYtUA05aU4Tag1-w/s400/how_to_start_selling_your_photography.jpg" width="400" /></a></div><br />
If you have patience, a passion for photography, and think you have what it takes to create sellable stock photographs, consider signing up with a microstock agency.As high quality DSLR cameras are getting more affordable, the gap between skilled amateur and professional photographers is shrinking. More and more people are coming to realize that selling digital photos to stock photo sites is another way to generate the much needed extra income. It is a very easy and simple process a long as you can hold your camera steady enough to take a shot, but there are some things that you should know to help you make the good returns.<br />
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1. Register with as many <a href="http://maulanaphotoworks.blogspot.com/search/label/Gallery">stock photo</a> sites as possible because the more sites you are selling digital photos to the more money you will make (it is a numbers game)<br />
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2. Ensure that for every single site you decide to register and submit your photo, you read through their terms of service and also the payment terms. Different sites obviously have different rates of payment and different requirements in terms of what you can and can not submit to their site.<br />
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3. Never submit photos of people unless you have their permission to do so, as they can and have the right to sue you.<br />
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4. Because I mentioned it is a numbers game does not necessary mean you should upload just any photo. Submit your best works or what you consider to be good enough (use your judgment). Remember someone has to like your work enough to use it.<br />
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5. Submitting your photo to the right category is very important. If in doubt as to how to group your photo, you are better of asking than just dumping your photo anywhere as it will either be rejected or go unnoticed (users browse mostly by category).<br />
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6. From personal experience I have done very well with photos that cover <a href="http://maulanaphotoworks.blogspot.com/search/label/Landscape">landscapes</a> taken at different times of the year and different hours of the day (note however that this is my own personal experience)<br />
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Once you have applied all of the above properly, selling digital photos willbe a piece of cake and an ongoing process that will help generate you extra money. Be smart and creative with your photos even though you do not need to be a professional, but it will give your photo a high download rate which converts to you know what!<br />
<span style="font-size: x-small;">via: ezinearticles.com </span><br />
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<div style="text-align: center;"><iframe align="left" frameborder="0" marginheight="0" marginwidth="0" scrolling="no" src="http://rcm.amazon.com/e/cm?t=widgetsamazon-20&o=1&p=8&l=bpl&asins=1453864075&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr" style="height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;"></iframe><iframe align="left" frameborder="0" marginheight="0" marginwidth="0" scrolling="no" src="http://rcm.amazon.com/e/cm?t=widgetsamazon-20&o=1&p=8&l=bpl&asins=1584282169&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr" style="height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;"></iframe> </div></div>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-7034307935171348902011-02-21T21:41:00.000-08:002011-03-05T08:33:48.051-08:00Wedding Photography Tips<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhB6cyZshxuyaCvTKvJS6zdBIFMHauhRsFryHk0g5yecGPPgEAT_xLrQLxZFOdKD45C43FkIhwJ7hznddqogFdi8NnKZM9NyXDyKI8tr_mkx1TMpCOgCfQdwmHts3Y41cejdY1sAn0TQ/s1600/wedding_photography_tips.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhB6cyZshxuyaCvTKvJS6zdBIFMHauhRsFryHk0g5yecGPPgEAT_xLrQLxZFOdKD45C43FkIhwJ7hznddqogFdi8NnKZM9NyXDyKI8tr_mkx1TMpCOgCfQdwmHts3Y41cejdY1sAn0TQ/s400/wedding_photography_tips.jpg" width="400" /></a></div><br />
Sooner or later, you will be invited to photograph the <a href="http://maulanaphotoworks.blogspot.com/search/label/Wedding">wedding</a> of a friend or family member. After all, you have one of those cameras, professional-looking, so you should know what you're doing, right?<br />
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Photographing weddings can be daunting, especially if this is your first. As the bride and groom, you may be facing its own pre-wedding jitters. So what helps? First, stop worrying so much and follow these tips to wedding photography and you will do this through: <br />
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1. Be prepared and make a <a href="http://maulanaphotoworks.blogspot.com/search/label/Wedding">wedding photography</a> checklist<br />
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* Scope out the location beforehand and plan some shots.<br />
* Charge everything – camera batteries, flash batteries, remotes, etc.<br />
* Check your camera bag at least 3 times before you leave and make sure you don’t leave anything behind (like a battery charging on the wall).<br />
* Have backups for everything. Yes, things can magically stop working at a <a href="http://maulanaphotoworks.blogspot.com/search/label/Wedding">wedding</a> (remember Murphy’s Law). Make sure you have a plan B in your bag ahead of time.<br />
* Make sure you have a fast lens for indoors, or rent one for a reasonable price if you don’t have one.<br />
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2. Make sure you know what the bride and groom want.<br />
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Before the big day, create a wedding photography list of shots with the bride and groom’s input. In the chaos of the wedding, this will help ensure you don’t miss anything important. Give them a list of options and have them rate the importance of shots and add any of their own ideas.<br />
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3. Have a second shooter.<br />
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Alone, you simply can’t catch everything. But with another photographer supporting your shots, you can add another perspective to the wedding day besides your own. Not only that, but there are no “do-overs” for a wedding. You either catch the moment or you don’t. A second-shooter ensures that you will have images to present to your client even if somehow your memory card is abducted by aliens – or less dramatically corrupted.<br />
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4. Don’t blow the dress.<br />
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Not blowing out the white of a wedding dress while exposing a scene with a black tux can be tricky. Turn on your camera’s highlight alert feature (check your user’s guide). Then, when you look at your LCD screen you’ll see any blown out areas so you can adjust your settings if necessary.<br />
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5. Focus on the bride.<br />
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The bride is the star. Don’t leave her alone – at least not for long. The action and important people are bound to be wherever she is. Focusing on her will lead to the most satisfying pictures for the couple.<br />
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6. Pose people correctly.<br />
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Remember your photography posing guidelines. If you have learned how to pose people in a flattering way, you’ll sell more prints after the wedding. Do you want Mom to buy the family picture? Then, she needs to have a professional (that’s you now!) pose her in the most attractive way.<br />
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7. Change cameras rather than lenses.<br />
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If you have the luxury of owning two nice cameras, keep both with you. Put a zoom lens on one and your wide-angle lens on the other. Things at a wedding move fast and it always seems that as you switch lenses, you can miss an awesome photo op.<br />
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8. Capture the details.<br />
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What might the bride and groom want to remember about their big day? Tell the story for them. Remember to take photos of rings, details of the dress, centerpieces, the cake, the bouquet, the reception hall, the church, etc.<br />
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9. Don’t sit down.<br />
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Once again, a wedding moves fast. You sit, you miss something. You start eating the appetizers, you could miss something. Make sure you eat and hydrate properly before the event.<br />
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10. Take a deep breath.<br />
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Because a wedding is a fast-paced, once-in-a-lifetime event, it can cause you stress and anxiety. Despite this discomfort, act confident. If you’re uptight, that feeling will transfer to those you photograph and will make it hard for you to capture relaxed shots. Instead, let the joy of the day transfer to you. Give your “smile muscles” a workout. Take a deep breath and enjoy. Consider it an honor to be such an essential part of someone’s big day!<br />
via:spectrumphotographytips.com<br />
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<iframe align="left" frameborder="0" marginheight="0" marginwidth="0" scrolling="no" src="http://rcm.amazon.com/e/cm?t=widgetsamazon-20&o=1&p=8&l=bpl&asins=1584282371&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr" style="height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;"></iframe>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com3tag:blogger.com,1999:blog-104409313424405925.post-2367761899863856062011-02-21T11:40:00.000-08:002011-03-05T08:34:27.103-08:00A Beginner's Guide To Landscape Photography<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSOZYFw8vYPUKReZEDWJGAGqexU_YynxDLUNG5npKAM4RC6bXD037cIXpIhKkrt3I3aAJuMOS9iU18904yFPgVKE0dAwdX7BSVkf8dOBdtmbCx_Nl3PUTSef-My6W8VNJJ6zmER9UlnQ/s1600/IMG_1150.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSOZYFw8vYPUKReZEDWJGAGqexU_YynxDLUNG5npKAM4RC6bXD037cIXpIhKkrt3I3aAJuMOS9iU18904yFPgVKE0dAwdX7BSVkf8dOBdtmbCx_Nl3PUTSef-My6W8VNJJ6zmER9UlnQ/s400/IMG_1150.jpg" width="400" /></a></div><br />
Here’s four ‘rules’ for <a href="http://maulanaphotoworks.blogspot.com/search/label/Landscape">landscape</a> photography that might be helpful for those just starting out (ie they’re not meant as a definitive guide but rather a starting point) : <br />
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<a href="http://www.digital-photography-school.com/4-rules-of-composition-for-landscape-photography#ixzz1EcfWId3Y" style="color: #003399;"></a></div><div style="background-color: transparent; border: medium none; color: black; overflow: hidden; text-align: left; text-decoration: none;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0wj3xIAjgbSFZfIdneup_h8UhDIOWNSsn2lB0KcPo2kpbellph_nnTeigA0avkYgjBmFCGzE6v2YWt_YEhQfu5c5KNzjVIA4a1HKtODGEMkavPFleQqPDWNJBgpt57ofUy6hVTnySvA/s1600/IMG_0399.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br />
</a></div></div>Diagonal<br />
1. Diagonal Lines<br />
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<div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0wj3xIAjgbSFZfIdneup_h8UhDIOWNSsn2lB0KcPo2kpbellph_nnTeigA0avkYgjBmFCGzE6v2YWt_YEhQfu5c5KNzjVIA4a1HKtODGEMkavPFleQqPDWNJBgpt57ofUy6hVTnySvA/s1600/IMG_0399.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0wj3xIAjgbSFZfIdneup_h8UhDIOWNSsn2lB0KcPo2kpbellph_nnTeigA0avkYgjBmFCGzE6v2YWt_YEhQfu5c5KNzjVIA4a1HKtODGEMkavPFleQqPDWNJBgpt57ofUy6hVTnySvA/s400/IMG_0399.jpg" width="400" /></a> </div><br />
Using diagonal lines can be a very effective way of drawing the eye of those viewing an image into it and to the main focal point.<br />
The ‘lines’ need not be actual lines - they could be the shape of a path, a line of trees, a fence, river or any other feature in an image.<br />
Converging lines (two or more lines coming from different parts of an image to a single point) can be all the more effective.<br />
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<br />
Triangle-Composition<br />
2. Geometric Shapes<br />
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“Positioning key aspects of a <a href="http://maulanaphotoworks.blogspot.com/search/label/Landscape">landscape</a> on points of a geometric shape hep create a balanced composition.” Perhaps the most common and easiest way to do this is to use a ‘triangle’ shape between objects in an image with three objects in a frame positioned with one to each side and one more central.<br />
Using Geographic Shapes in this way isn’t something that I’ve done a lot of - but it is one technique to get balance in a shot and if you’re clever, to lead the eye into it (in a similar way to the diagonal lines rule above).<br />
You can see this illustrated (to a point) in the photomontage image to the right.<br />
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Rule-Of-Thirds<br />
3. The Rule of Thirds<br />
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The Rule of Thirds gets trotted out more often than any other in all types of photography and is one of the first rules of composition taught to most photography students. While sometimes it can feel a little cliche it can also be a very effective technique in landscapes (although keep in mind that breaking this (and other rules) can also produce dramatic and interesting shots).<br />
Position key points of interest in a <a href="http://maulanaphotoworks.blogspot.com/search/label/Landscape">landscap</a>e on the intersecting point between imaginary ‘third’ points in an image and you’ll help give your image balance and help those focal points to really capture attention.<br />
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Framing<br />
4. Framing Images<br />
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While adding points of interest to a foreground is an important technique for adding interest to landscape shots - a similar technique is to ‘frame’ the shot by adding interest to other parts of the edges of an image.<br />
Perhaps the most common way of framing a landscape shot is to include an overhanging branch in the upper section of a shot. Similarly framing a shot with a bridge might work.<br />
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Rules are Made to Be Broken?<br />
Of course while knowing the rules can be important - knowing when to use them and when to break them is a talent that great photographers generally have.<br />
Practice these techniques - but don’t get so worked up about them that they kill the creativity that you have.<br />
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</span><br />
<span style="font-size: x-small;">via: digital-photography-school.com</span><br />
<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com1tag:blogger.com,1999:blog-104409313424405925.post-1014710815351950092011-02-21T09:14:00.000-08:002011-03-05T08:35:20.980-08:00Colors of Life by Rarindra Prakarsa<div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIviqc_JYvHIobHMQG-8v9wZ26xvX_OFzc5FLwZFb6a_qc_Zsizsvqm1ihEsPR4SWG9XBXYjnQZARGagWmQGq3mntm7ykk_UxWBXg2t-yqr1QsYD5K6_EehTTIIvbhvBJr4a3qwDaTmg/s1600/Rarindra+Prakarsa1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="343" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIviqc_JYvHIobHMQG-8v9wZ26xvX_OFzc5FLwZFb6a_qc_Zsizsvqm1ihEsPR4SWG9XBXYjnQZARGagWmQGq3mntm7ykk_UxWBXg2t-yqr1QsYD5K6_EehTTIIvbhvBJr4a3qwDaTmg/s400/Rarindra+Prakarsa1.jpg" width="400" /></a> </div><div style="text-align: center;"><br />
</div>Rarindra Prakarsa is a Jakarta, Indonesia based photographer. He love his country and tried to capture the unseen beauty of Indonesia from artist’s point of view by taking these inspiring photos of landscapes, nature, culture and faces.<br />
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Rarindra Parkash captured the different kind of people and their livings with pure colors of life and showed inspiring peace of manipulation with the photos. After watching his work for his country you must love to go Indonesia as we do. <br />
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Below is his short bio:<br />
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<b>Born:</b>1972<br />
<b>Location: </b>Jakarta, Indonesia<br />
<b>Profession: </b>Work for a media in Jakarta.<br />
<b>Years Experience in Photography:</b> 11 years. I have my first SLR (Nikon FM2 and 4 lenses) in 1995 after 2 years saving money. I really like journalism photography in the first time. Economic crisis in Indonesia (1998) stopped my hobby. I started again in 2000 till 2002, but just for fun and documentary. In 2004, I started again with only prosumer digital camera. Very fun and interesting. Then I bought DSLR in 2005.<br />
Preferred Subject in Photography: Human interest/documentary, landscape and digital alteration.<br />
Long-term goal in Photography: Share my pictures for many people around the world and sell my stock photos.<br />
<b>Advice for the beginner in photography:</b> #1 rule: Analyze great photographs, why this so beautiful?, why this so great impact, why, why, why????.<br />
Favorite piece of photographic equipment you own: Canon EF 50mm, f1.8 (only US$70).<br />
Favorite website:www.photo.net<br />
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Rarindra Prakarsa says:<br />
"<i>I like photography maybe since elementary school. I love to phototograph while my brothers/sister were love being photographed. Actually I like a visual art. So I entered graphic art faculty (Polytechnic of Indonesia) where I started to know photography theory and SLR use. I have my first SLR in 1995 (Two Nikon FM2 bodies and 5 lenses). Economic crisis in Indonesia had stopped my photographic activity in 1998. Then I start again in 2001 until I change my analog equipment to digital in 2004. I have EOS 350D and 4 lenses.</i><br />
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<i>In the first time in photography, I am in love with Journalistic photography. This maybe because I work in newspaper (as a graphic designer). But now, 2 things that I love to photograph: Human and nature. Sometimes I photograph only human or only nature, but most of my photograph are mixing those two thing: Human and their environment. 2 kind objects is the most popular in my country. My formula for my photography with this 2 kind objects is “Pepole love photo that almost similar to paintings, while people also love paintings similar like a photo.” This formula is maybe simple but I belive that most people in the world would enjoy it. This only can reach in digital photography. So I mix my abilty in Photography technic and editing technic (Photoshop) that I learned in almost 15 years (about 1992).</i><br />
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<i>Now, my photos are in some commercial use in Indonesia and some countries. I have my profiles in some media in my country and other countries. What can make me happy if the more people can enjoy my photos in the world. And I can share my beautiful country and beautiful people around me.</i>"<br />
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.... By the way, he is also an award winning photographer, and has won many awards in online competition. He is also an online buddy of our Manny Librodo. AND NOW A SAMPLE OF HIS WORKS...<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPMEZg24MbgBjIbfAoeXNylfPGlSGNs65wYA0Mp8IHKP1-2WLts3KFyF-3D728trVDWzyyllSWUBKnMrYW4m4GARFxJRA6mYHHAu0INTfZcJMUp-18T3hWeWd4rpEWRx8CNWs4y0I24w/s1600/rarindra+prakarsa+13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPMEZg24MbgBjIbfAoeXNylfPGlSGNs65wYA0Mp8IHKP1-2WLts3KFyF-3D728trVDWzyyllSWUBKnMrYW4m4GARFxJRA6mYHHAu0INTfZcJMUp-18T3hWeWd4rpEWRx8CNWs4y0I24w/s400/rarindra+prakarsa+13.jpg" width="400" /></a></div>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-48468857313850863622011-02-20T21:38:00.000-08:002011-03-05T08:35:43.701-08:00QUICK HINTS for effective landscape photography<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqZVpjjAHC5lFsC7wZT2jOnWq1wlHkhT58FG0apikYmMSz_C22EmtrIEp4b4JhCtxT_PJQpHYt2cuI4-JmFHkIyCeNjhVFLgQMHWcCD51M7C0JZYcDlFks2wbCITpQ2ThxkGN3ZXjqFA/s1600/QUICK-HINTS-for-effective-landscape-photography.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqZVpjjAHC5lFsC7wZT2jOnWq1wlHkhT58FG0apikYmMSz_C22EmtrIEp4b4JhCtxT_PJQpHYt2cuI4-JmFHkIyCeNjhVFLgQMHWcCD51M7C0JZYcDlFks2wbCITpQ2ThxkGN3ZXjqFA/s640/QUICK-HINTS-for-effective-landscape-photography.jpg" width="427" /></a></div><br />
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As a landscape photographer, you're always looking for new places to shoot. With each new location comes a new set of challenges to overcome. How am I going to make this picture? Where can I shoot? One thing is knowing the basics of taking great photos of the landscape, and another to execute them to perfection. The more you know, the better your chances to grab some jewelry that you can use in your portfolio. <br />
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These quick tips are not essential to every landscape picture you take, but bearing them in mind and applying them judiciously will improve your picture-taking.<br />
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* A foreground object will help to frame the scene and add a look of three-dimensionality.<br />
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* Frame the scene so that it contains a center of interest - an object that draws the viewer's eye into the picture.<br />
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* Placing the center of interest off-center, in accordance with the Rule of Thirds, will create a harmonious composition.<br />
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* Placing the horizon a third of the way down from the top or bottom of the frame is usually much better than having it in the middle of the scene.<br />
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* Scale can often be important to the understanding of a landscape, and can be achieved by including an object of a known size in the scene. People, animals or other recognizable objects that would naturally belong in the scene are suitable for showing scale.<br />
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* The quality of lighting is perhaps the most influential attribute of a successful landscape. Waiting for interesting lighting that is moody, dramatic or diffused usually pays off in a memorable photograph.<br />
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* Ensure that your camera's flash is turned off when shooting landscapes, unless you require it to brighten a foreground object. Flash in a dusty, misty or foggy scene may cause flare by reflecting off the droplets of moisture or dust particles.<br />
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* Use a tripod to ensure sharpness, especially in low-light conditions.<br />
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* In very low light, be sure to select a fast film speed or a high ISO sensitivity setting in your digital camera that will permit proper exposure and good depth of field.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjwAAFu00HiT8uLv3nMBXmH08Hq6mIu_FoTTuZuOiePc9_WoId-9Q-PiN7wiCFnLjyqMzZPERLhJ1puBQhGfkJ8RKxZU3BDu2H9xchAq0k7Wv3qQj5Wf8-YQqTCdp-vC0eVnUQcdDSpA/s1600/IMG_0090q.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="337" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjwAAFu00HiT8uLv3nMBXmH08Hq6mIu_FoTTuZuOiePc9_WoId-9Q-PiN7wiCFnLjyqMzZPERLhJ1puBQhGfkJ8RKxZU3BDu2H9xchAq0k7Wv3qQj5Wf8-YQqTCdp-vC0eVnUQcdDSpA/s400/IMG_0090q.jpg" width="400" /></a></div><br />
* Watch for unsightly or unnatural elements such as overhead wires, hydrants, poles and garbage cans, especially in the foreground. If you cannot easily move them, reposition yourself to a camera angle that eliminates them from the frame.<br />
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<div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1n_G-VKUaE8_UmA56ff5vnNULSKuendD2Tgacz9A_Xood9qrGpT6Yp-5vVd4u2b2aaENQOAcR3jUE2OGCasicUlp2IYQULC4DmtPU-cNNLLJJbkcE425woigFnH1IPuIwgPvQT64jQA/s1600/4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1n_G-VKUaE8_UmA56ff5vnNULSKuendD2Tgacz9A_Xood9qrGpT6Yp-5vVd4u2b2aaENQOAcR3jUE2OGCasicUlp2IYQULC4DmtPU-cNNLLJJbkcE425woigFnH1IPuIwgPvQT64jQA/s400/4.jpg" width="400" /></a> </div>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-44578907453646981632011-02-20T07:26:00.000-08:002011-03-05T08:36:20.778-08:00How to Become a Professional Photographer<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1Yg5M8k5GE1ukFtyB-x0G3VpPMhheUsFYqphAJ458hrQDRIImsjKaTV9tYtWdbjPvWw7uH8FzIQL9jUYRY8x642ASFpimMwi6qGEyMl-qNzYYzpt6cRADq7YvjfB0eL_yqNDAOThAuA/s1600/how_to_become_professional_photographer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1Yg5M8k5GE1ukFtyB-x0G3VpPMhheUsFYqphAJ458hrQDRIImsjKaTV9tYtWdbjPvWw7uH8FzIQL9jUYRY8x642ASFpimMwi6qGEyMl-qNzYYzpt6cRADq7YvjfB0eL_yqNDAOThAuA/s400/how_to_become_professional_photographer.jpg" width="400" /></a></div>The best way to become a professional photographer is slowly ease into it. Amateur photographers who want to turn your hobby into a full-time job are better served by a gradual approach.<br />
Types of jobs Professional Photography<br />
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They are different types of photography: with different business environments, market demand, the camera lens and skill sets. Although you can cover more than one area is not practical to go very far.<br />
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Photographers need to fit their personal interest with market demand. Landscapes could be a passion of the photographer, but he may not necessarily be able to find gainful employment as a landscape photographer.<br />
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Some examples of different works of photography are described below: <br />
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* There are three main types of wedding photography: portrait studio shoot pre-wedding venue (parks and gardens) and "real day." They can be considered distinct specialties and some photographers only handle one or two of the above. Event Photography * includes exhibitions, seminars, conferences, concerts, theater. Customers are usually corporations.<br />
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* Corporate and industrial photography means getting photographs for annual reports, brochures and instruction manuals: portrait of senior management, photos, location of factories and machines.<br />
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* Portrait photography, studio work. Covers weddings, graduations and college birthday photos. The photographer must be good at dealing with small children, babies and maybe a few famous personalities.<br />
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* Sports Photography requires a heavy investment in cameras and lenses of high performance: high frame rates, fast autofocus and large aperture telephoto lenses.<br />
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* Birds and wildlife photography requires patience and ability to pursue and long telephoto lens focal length (more than sports photography).<br />
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* Photojournalism can vary from taking pictures to the site daily to go abroad on missions for the national magazines.<br />
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* Photo of art means to sell large poster size prints, often in black and white. Photographers may have to develop relationships with art galleries, as well as other artists. Good technique darkroom or Photoshop is helpful.<br />
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* Stock Photography requires creativity, always thinking of new ideas for the types of photos that advertisers and publishers are looking to illustrate their advertisements and publications.<br />
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Becoming a professional photographer is a business of chicken and eggs: it is difficult to be hired without portfolio, and it is difficult to build a portfolio without being engaged.<br />
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A good way to gain experience and build a portfolio is working for free. Although not a good idea to "spoil the market" for professional photographers, there are circumstances where a professional will not be hired anyway:<br />
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* Charity events.<br />
* Local community events.<br />
* The parties organized by friends and family.<br />
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When volunteering, the photographer must make clear that:<br />
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* It is not a professional.<br />
* The quality of pictures is not guaranteed.<br />
* He is volunteering to build your own portfolio.<br />
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For fashion and portrait photography, new models are often willing to put in exchange for free copies of photos to your own portfolio. This is known as TFP (Time For Photos / prints) or TFCD (Time For CD): the model does not charge the photographer for the modeling time and receives the photo (or a CD with photos) of the photographer in exchange.<br />
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Portfolios can be displayed on the site of the photographer. Owning a website dedicated domain name (like www.johndoephotography.com) is preferred but not necessary. Aspiring professionals can begin by using a photo hosting and sharing services like Flickr.<br />
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It's easier to get in stock images. There are stock photo sites (stock.xchng, MorgueFile), where anyone can participate and submit photos. There are also paid sites (such as iStockphoto) where photographers can sell their stock photos (iStockphoto requires a relatively simple application process). Some photographers build a portfolio of photographs of shares and use the portfolio to leverage themselves into other types of photography.<br />
Becoming a Professional Photographer<br />
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Being a professional photographer is not for everyone, even the most experienced and amateur enthusiasts.<br />
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Turning a photograph into a paying job means working under pressure, accept full responsibility for its mistakes (the ball stops for the photographer), dealing with (sometimes excessive) people, marketing, live without a steady income and being exposed to legal liability.<br />
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The good news is that you can slowly ease into it, starting as a volunteer unpaid, then a part-time employee. And building a portfolio and a list of business contacts at the same time.<br />
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Becoming a full time professional photographer need not be the only goal. After experiencing the pressures of real-world photo, a photographer may decide against "turning pro." It could instead find a happy balance to become permanent part-time and keep his job.Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com1tag:blogger.com,1999:blog-104409313424405925.post-39199067857183722011-02-19T16:03:00.000-08:002011-02-19T16:08:57.899-08:00How to Take Spectacular Lightning Pictures<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS5wH-8-vGB00xtM3rUiyIz-ID0IgwacjZqixTxye5V8ijgRKa5x75jb06IpPu7D3uEazjZskz-iUznBOeKuKy5d-L12I21Coqt95kQZmgQ-skMd2A7iXTYaJStmJ5acoQfpuXWiqoLQ/s1600/Spectacular+Lightning.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS5wH-8-vGB00xtM3rUiyIz-ID0IgwacjZqixTxye5V8ijgRKa5x75jb06IpPu7D3uEazjZskz-iUznBOeKuKy5d-L12I21Coqt95kQZmgQ-skMd2A7iXTYaJStmJ5acoQfpuXWiqoLQ/s1600/Spectacular+Lightning.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnzYjqlhSOziJKHSimBVCscUXb81OviFGz_fvHwOvKAWSGg0N9fFHLCjOhDsLQlORIqaFG5nXKkSE_cS_yHx9MLaaMIN3LfNkp2B4UfC4d8QIlybrFvEOh1xBrwGfmgu98eBz6qYO_rw/s1600/Spectacular+Lightning.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br />
</a></div>Photographing a lightning is a dangerous hobby. What most people do not understand, is that lightnings are unpredictable and they could strike down any time, anywhere. At the same time, taking a picture of a lightning storm can be very rewarding, especially if the lightning pattern is unique or the picture is taken at an extraordinary location.<br />
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<b>1. Use a Steady Surface</b><br />
While a tripod typically works best, in reality any steady surface will work. Some people use a beanbag or other malleable item, like a pillow.<br />
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<b>2.Prepare Your Gear</b><br />
If you want a very good picture of lightning, a DSLR with a tripod is almost a must. If you have a point and shoot, make sure that the camera can be configured for manual control of shutter speed and aperture. Some people are lucky to have a good image of a thunderbolt in hand, but I strongly advice to use a tripod instead. Depending on the amount of ambient light, you have to use a shutter speed between 30 to 30 seconds and shake any potential negative impact on image sharpness. Either lens would work, but wide angle and zoom lenses work best because you can put more while having the flexibility to change the focal length and target a specific area. A remote cable release or an infrared remote (depending on your camera) is strongly recommended if you want to avoid camera shake, even on a tripod. If the lightning is far away, having a flashlight with you might be useful, since you can “paint” your foreground subject to make the whole scene look more dramatic.<br />
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<b>3.Slow Shutter Speeds</b><br />
Although lightning is unpredictable, it is extremely difficult to capture a decent shutter release when you see a flash. There are some fancy remote controls that have the ability to travel when the flash is felt, but I’m guessing you do not want to invest in these types of gadgets. Depending on your ability to manage cameras noise at slow speeds, using a 30 seconds time can work well. The configuration of the bulb can also be useful if you have a way to keep the shutter open.<br />
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<b>4.Manual Mode</b><br />
Set your camera to full manual mode. In manual mode, you control both the aperture and the shutter speed. I would not trust the camera’s metering system, simply because periodic lightnings will brighten up the area and your camera might give an incorrect exposure. Start at the shutter speed of 3-5 seconds and f/8 and see how the image comes out. If you are in a dark area, you might want to decrease the shutter speed all the way to 15-30 seconds, while in areas with plenty of light, you will have to stop down the lens to f/16 or more to allow longer exposures without overexposing the entire scene.<br />
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<b>5.Horizon Up</b><br />
It’s safe to say most of the lightning action you will see will in the sky. I know it’s obvious, but it needs to be stated that your field of view will be skewed toward the sky then. Depending on how close the lightning is, you’ll be including more blank looking sky than normal. But fear not; that sky becomes far more exciting when the lightning starts<br />
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<b>6.But Include Something Interesting</b><br />
While the action will be in the sky, don’t forget to keep something in the frame to give relevance and perspective to the shot. Buildings are a favorite, but really, anything that can give an idea of the size of the storm works well.<br />
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<b>7.Be Patient</b><br />
I typically take many shots (shot after shot), pointing my lens at the same location. Sometimes you might get nothing, sometimes you might get an awesome shot. Be patient, This is a big one and a key to success. Get familiar with your gear and settings so when there is a lightning storm you can set up the camera and then let it do its thing while you enjoy the show. You’re going to have a number of times when you miss “the shot” for one reason or another. Don’t sweat it.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNkY_c2B_FDHnqh42Ex57AfAR43NAVzvcQ_5o0dA3UA1ga4e_4VcRN73OzLuq71NeHf-AWfxY4XEue6LOuKXc-h210-OOxMDft37YMwCNWaogwd81CJz8NsKqnm6WggbbjyxT5Prr93Q/s1600/Spectacular.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNkY_c2B_FDHnqh42Ex57AfAR43NAVzvcQ_5o0dA3UA1ga4e_4VcRN73OzLuq71NeHf-AWfxY4XEue6LOuKXc-h210-OOxMDft37YMwCNWaogwd81CJz8NsKqnm6WggbbjyxT5Prr93Q/s400/Spectacular.jpg" width="400" /></a></div>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-4082369368316464902011-02-19T15:49:00.000-08:002011-02-19T15:50:39.552-08:00How to Photograph Silhouettes in 5 Easy Steps<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtvtRaOuM-1uUSEJ1WZDecZMmhbbYxTEFZ6rHZO5Ca2rfW52mJx3OXabhGWp6DOz59rp2H06pEvfPzjO7fYIHG7ysjsoGXD3C8iTS11gxpGUEw5O7M1dEOZmjqgXcoSM-2sDpgYb-QDg/s1600/How-to-Photograph-Silhouettes-in-5-Easy-Steps%25234.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtvtRaOuM-1uUSEJ1WZDecZMmhbbYxTEFZ6rHZO5Ca2rfW52mJx3OXabhGWp6DOz59rp2H06pEvfPzjO7fYIHG7ysjsoGXD3C8iTS11gxpGUEw5O7M1dEOZmjqgXcoSM-2sDpgYb-QDg/s400/How-to-Photograph-Silhouettes-in-5-Easy-Steps%25234.jpg" width="398" /></a></div><br />
Here are a lot of very technical descriptions going around on how to take great silhouette shots that you might want to look up but let me attempt to run through some basic steps that should get you the results you’re after. In essence what we’re trying to do is make your camera think that it’s the bright parts of the picture you are most interested in. <br />
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1. Choose a Strong Subject<br />
Almost any object can be made into a silhouette, however some are better than others. Choose something with a strong and recognizable shape that will be interesting enough in its two dimensional form to hold the interest of those viewing your image. Silhouettes can’t draw on the colors, textures and tones of subjects to make them appealing – so the shape needs to be distinct.<br />
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2. Turn off your Flash<br />
If you have your camera in automatic mode your camera will probably want to use its flash which will ruin the silhouette. Basically you want as little light on the front of your subject as possible – so the flash has to go (basic – but I’ve seen a few attempted silhouette shots with the flash firing).<br />
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3. Get Your Light Right<br />
When it comes to lighting your subject you’ll need to throw out a lot of what you’ve learnt about normal photography and think a little backwards. Instead of lighting the front of your subject, in silhouettes you need to ensure that there is more light shining from the background than the foreground of your shot – or to put it another way – you want to light the back of your subject rather than the front. The perfect light for this is placing your subject in front of a sunset or sunrise – but really any bright light will be able to do the trick.<br />
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4. Frame your image<br />
Frame your shot so you are shooting with your subject in front of a nice plain, but bright background. Usually the best backgrounds will be a bright cloudless sky with the sun setting. You want to position the brightest light source behind your subject (either so that they hide it or so that its in the background somewhere).<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoe0Kjx1rK0NXteF1N7-QDpbvqthMEiPVeEMBWXSwdGjUrFAIXvd7A2pgj7ShBOFiV0-8twp946wGzyLwV9E4iRXz0yYM_2C5dDjCenenW0OwMC25WvJqEZc8RUyV9epxguWpmbkDPDw/s1600/How-to-Photograph-Silhouettes-in-8-Easy-Steps%25233.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="294" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoe0Kjx1rK0NXteF1N7-QDpbvqthMEiPVeEMBWXSwdGjUrFAIXvd7A2pgj7ShBOFiV0-8twp946wGzyLwV9E4iRXz0yYM_2C5dDjCenenW0OwMC25WvJqEZc8RUyV9epxguWpmbkDPDw/s400/How-to-Photograph-Silhouettes-in-8-Easy-Steps%25233.jpg" width="400" /></a></div><br />
<br />
<br />
5. Make silhouetted shapes distinct and uncluttered<br />
If there is more than one shape or object in the image that you’re attempting to silhouette, try to keep them separated. ie if you are silhouetting a tree and a person don’t have the person stand in front of the tree or even leaning on it as it will merge them into one shape and as a result your viewers could be confused about what the shape is.<br />
<br />
Also when framing you’ll probably want to photograph silhouetted people as profiles rather than looking straight on. This means that more of their features (nose, mouth, eyes) are outlined and they are more likely to be recognized.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu6R-bsJo4iyjF4GrjRhtI1g4NSAVD2HsSAJ5A3Y5Hp9cLbc6IjaOzhkiMwxwewM4srubqZnOkS9yBKG303j_D7OJhweU5PTnSFApNkFTJsJDaP45zp5CejIClBBdUZc9RykO-Rypvdg/s1600/How-to-Photograph-Silhouettes-in-5-Easy-Steps.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu6R-bsJo4iyjF4GrjRhtI1g4NSAVD2HsSAJ5A3Y5Hp9cLbc6IjaOzhkiMwxwewM4srubqZnOkS9yBKG303j_D7OJhweU5PTnSFApNkFTJsJDaP45zp5CejIClBBdUZc9RykO-Rypvdg/s400/How-to-Photograph-Silhouettes-in-5-Easy-Steps.jpg" width="345" /></a></div>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-39552452789767542152011-02-19T15:36:00.000-08:002011-02-20T21:39:45.814-08:00How to: Create Stunning Sunset Photography<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsum6v53C2Z3Z3a4XFNscFwdmTinbY-GSJ_X1B3Dj5ZOlks1sZDlftLvXdti9R0F5C7E9tAz1o1dRVnaEfr_9PhyphenhyphenN9vr92XiKAkmUGcqF3TqSpdoP1Tv3lmxJ1foipnYblca7t9BLfVg/s1600/How+to+Create+Greatest+Sunset+Photography+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsum6v53C2Z3Z3a4XFNscFwdmTinbY-GSJ_X1B3Dj5ZOlks1sZDlftLvXdti9R0F5C7E9tAz1o1dRVnaEfr_9PhyphenhyphenN9vr92XiKAkmUGcqF3TqSpdoP1Tv3lmxJ1foipnYblca7t9BLfVg/s400/How+to+Create+Greatest+Sunset+Photography+.jpg" width="400" /></a></div><br />
Here are some tips of how to take a stunning sunset photography. A golden hour time, with special atmosphere, that very great time to take a photographs. Let’s see some technique and tips for take a better sunset. <br />
<a name='more'></a><br />
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1. Before you even start thinking about where you take the exposure from, firstly you need to do your homework. For instance, know where the sun is going set. With this knowledge in mind, arrive early and have a good look around for the best position.Get out there early because you never know when the best and most beautiful light is going to happen, but it usually happens in a one-minute window, which can be any time within 15 minutes before and after sunset. Consequently, you want to be on location at least half an hour before the sun sets, to give you time to look around and set up. Think about how you’re going to frame your shot. Is there a tree you can position within the composition to act as a silhouette to help give the photo more interest? You don’t want to clutter the picture, so look for a tree that has clearly defined lines.<br />
<br />
2. Asking your local weather station officials about the weather during sunset hours will be a wise idea. Make sure you have the proper attire and complete paraphernalia. Always bring an umbrella when shooting out doors. Also make sure that you shoot lots of shots in order to have a wide selection to choose from.<br />
<br />
3.Take extra camera equipment. This includes extra batteries, of course, but you also want to take both a wide-angle lens and a standard zoom lens. Once you get to your photographic location and start setting up, you may decide that one lens will work better than the other, and since you brought them both, you’ll be able to swap them out. You should always take a tripod. A tripod can help with keeping the camera steady, something that may be important if you were able to manually adjust your speed settings. Also, because you are going to be taking many pictures, a tripod will prevent your arms from tiring.<br />
<br />
4. Check the “white balance” setting. The white balance can determine the difference between a horrible sunset photo and a magnificent picture. A major mistake is is keeping the white balance setting on the automatic camera setting. Set it to either the “sunset” or “daylight” preset. Another way around this is to use a RAW image format and set the WB setting in the photo editing software.<br />
<br />
5. Set the exposure setting. For a photo with the best and most vibrant colors, the exposure should be underexposed to -1 or -2 stops.<br />
<br />
6. If you are shooting a subject in the perspective of the setting sun, you may want to bring the extreme luminance variations under control by bouncing an artificial light off a diffusing surface. This helps you from getting an underexposed subject.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHKz8RTPW5i3Yl_VmBROHXcjm_bAmWm2dNq5UkFXoO-zQX322z77VVA21cE-_yMRWsl4gjFcZlv482wSAXVzrUgnhUM7ZTh_CwueK_NSyhJ0OZ9oywumu2sp_LwMl2meHnB427MrGXyA/s1600/How+to+Create+Greatest+Sunset+Photography+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHKz8RTPW5i3Yl_VmBROHXcjm_bAmWm2dNq5UkFXoO-zQX322z77VVA21cE-_yMRWsl4gjFcZlv482wSAXVzrUgnhUM7ZTh_CwueK_NSyhJ0OZ9oywumu2sp_LwMl2meHnB427MrGXyA/s400/How+to+Create+Greatest+Sunset+Photography+2.jpg" width="400" /></a></div>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-65569833004506669982011-02-19T10:47:00.000-08:002011-03-05T08:45:41.490-08:00Tips for Buying a New or Used camera/lens:<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB4cn7j-npMh3gN8Tjirupeuq_HfYfY0bIhzTDFyivc4BxivMRqGXlM9aLXVEMroeKUmGOEqxu9EC5_8wfdW1bwiXvQRmysi4OBcb_xSl221Gag_H9YlkJsVDTFuk0GxrjosQOvmPWhA/s1600/Tips+membeli+kamera+lensa+bekas+atau+baru.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB4cn7j-npMh3gN8Tjirupeuq_HfYfY0bIhzTDFyivc4BxivMRqGXlM9aLXVEMroeKUmGOEqxu9EC5_8wfdW1bwiXvQRmysi4OBcb_xSl221Gag_H9YlkJsVDTFuk0GxrjosQOvmPWhA/s400/Tips+membeli+kamera+lensa+bekas+atau+baru.jpg" width="400" /></a></div><br />
Many photographers prefer to buy a camera or lens in brand new condition. This is a common, because we’ll be getting the latest model, the best condition of equipment, and the satisfaction of getting a warrantied product. If the available budget is sufficient, then buying a camera or lens in new condition may be the best choice. However, if funds are a bit of a problem, buying a used or second-hand camera can be a wise choice. What aspects should be considered when buying new or used lens? <a name='more'></a><br />
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Tips to buying a new camera or lens:<br />
<br />
1. Determine the specifications you need from the camera<br />
The desired type and brand should fit within the available budget range. To get a price range, contact a few different camera shops and visit their websites.<br />
<br />
2. Visit a few camera shops to try out a few different brands and types of camera to get the feel of the variations so as to be certain which would best suit you. Selection of type and brand is very personal / private, so purchase the brand and type that best suit your needs (specifications, ergonomics, control, ease of use).<br />
<br />
3. Get the best lens that fit your budget<br />
The lens of the camera is what will shape and determine the quality of the photos, so I feel that the lens is more important than the camera body being used. For information on the quality of lenses, visit Photodo PhotoZone or web site.<br />
<br />
But buying a used / secondhand equipment should also be considered. In addition to lower prices, there are several reasons to support the buying of secondhand equipment, including:<br />
you want a camera or lens with certain specifications, but you deem it too expensive to buy in new condition; or you want a backup camera<br />
(For use with a lens or other type of film). Here is a guide to buying a used camera (especially the auto focus cameras):<br />
<br />
<br />
<br />
Tips for buying used camera:<br />
<br />
1. Check the general condition of the camera, which will give you an idea of how the previous owners cared for and used the camera. Avoid cameras with external or visible defects.<br />
<br />
2. Turn on the camera controls, and check whether all the functions and control buttons or dials of the camera runs properly.<br />
<br />
3. Try the autofocus function with a lens attached to it.<br />
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4. View from the camera viewfinder and make sure the image and viewfinder display (if any) is evident.A bit of dust or dirt particles is very normal and common, but defects /other foreign objects found in the viewfinder should be avoided.<br />
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5. Check the condition and function of the LCD panel. Try toggling the exposure mode to ensure that each mode is displayed well.<br />
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6. Check the shutter on a variety of shutter speeds, from the fastest to slowest. Listen and you should be able to hear the difference in time in accordance with the shutter speed setting during the shooting process.<br />
<br />
7. Remove the lens and peer through the inside of the camera from the front end of the lens. Check the condition of the glass / mirror for any scratches or cracks, and whether the glass opens and closes the back properly in every shot. Also check the condition of the focusing screen (at the top of the glass)to see if it’s in good condition and are free of scratches.<br />
<br />
8. Examine the state of the lens mount on the body. Make sure there is no distortion or damage to the mount due to collision, and that the entire pin or gear /lever on the mount is in good condition.<br />
<br />
9. Open the back of the camera, shutter and see situation. All shutter blades should be in average condition and without scratches. Set the camera at slow speed, and press the shutter button to view and make sure the shutter opens in full state. Check also the film rail conditions and pressure-plate, which should be in a scratch-free state.<br />
<br />
10. Ask the store employee to install a test film in the body. Check whether the camera loads, winds, and rewinds the film properly.<br />
<br />
11. Open the battery compartment, to ensure there is no pin contacts damage caused by battery leakage.<br />
<br />
12. If possible, ask for a warranty period (1 or 3 months) from the seller.<br />
<br />
<br />
Tips for buying used lenses:<br />
<br />
<br />
1. Check the general condition of the lens, and avoid the lens with real disabilities.<br />
<br />
2. Shake the lens. Not too hard, but strong enough to hear and detect if there are elements within the lens glass that is not installed properly or even fell apart.<br />
<br />
3. Check the front and rear lens carefully. Avoid lens with front / rear that are scratched, or cracked.<br />
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4. Peer inside the lens using the light source (eg lamp). A little dust is common, and a little fungus (most likely) can be cleaned or serviced. But avoid the lens with a thick layers of fungus, or has foreign particles in it.<br />
<br />
5. Put the lens on the camera (preferably yours) and make sure the entire camera and lens functions runs properly.<br />
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6. Check that the lens aperture setting close fit in the shooting. Open the back of the camera, set in Bulb mode, and press the shutter button. Perform this test on the entire range of the lens aperture.<br />
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7. Check on the lens autofocus function, whether running properly and accurately.<br />
<br />
8. Check the manual focus ring on the lens. Make sure the manual focus ring works fine, without sound and turns smoothly when focussed in manual focus mode.<br />
<br />
9. If it’s a zoom lens, check whether the zoom lens mechanism runs smoothly without any problems. Avoid lens with a zoom mechanism that’s faltering, too loud, or too loose.<br />
<br />
10. Inspect the filter thread on the front of the lens, and make sure there is no damage or congestion. When in doubt, do a test by installing a filter on the lens.<br />
<br />
11. If possible, ask for a warranty period from the seller.Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-34671754049011319022011-02-19T10:01:00.000-08:002011-02-21T08:13:01.437-08:00EOS EF L series lens date codes<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxsn0OQGotgaf0OWiWbqnXqJAvqa2KCfEJC9G7sicRpk-lZlZ_bZoEIi8pf4F4UyAjg5SDbseRUYZguiNp_lkETo0FbwAEGE1k4wf9lmv50O0rHyH9rXRN256ZZA2-xDj9YZhP_HvicQ/s1600/EOS+EF+L+series+lens+date+codes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxsn0OQGotgaf0OWiWbqnXqJAvqa2KCfEJC9G7sicRpk-lZlZ_bZoEIi8pf4F4UyAjg5SDbseRUYZguiNp_lkETo0FbwAEGE1k4wf9lmv50O0rHyH9rXRN256ZZA2-xDj9YZhP_HvicQ/s400/EOS+EF+L+series+lens+date+codes.jpg" width="400" /></a></div><br />
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If we buy an L series lens from Canon, surely we will find a line of code on the back of the lens. The code is the code of the year and the place where the lens was made. Now, for buying lenses, especially the used lens .. this code can be very utilized in determining how old is from the lens. The meaning of these codes are as follows.<br />
<a name='more'></a><br />
For example, if a lens has a code UV0207, then it can be interpreted from the information that the age of the lens is as follows. U code shows the location where the lens in manufactured, in this case it is in the Canon factory in Utsunomiya, Japan. The other codes are as follows:<br />
U = Utsunomiya, Japan<br />
F = Fukushima, Japan<br />
O = Oita, Japan<br />
<br />
Furthermore, the second letter, "V", is the yer these lenses were manufactured. The complete guide to these 2nd set of code is as follows:<br />
<br />
A = 1986, 1960<br />
B = 1987, 1961<br />
C = 1988, 1962<br />
D = 1989, 1963<br />
E = 1990, 1964<br />
F = 1991, 1965<br />
G = 1992, 1966<br />
H = 1993, 1967<br />
I = 1994, 1968<br />
J = 1995, 1969<br />
K = 1996, 1970<br />
L = 1997, 1971<br />
M = 1998, 1972<br />
N = 1999, 1973<br />
O = 2000, 1974<br />
P = 2001, 1975<br />
Q = 2002, 1976<br />
R = 2003, 1977<br />
S = 2004, 1978<br />
T = 2005, 1979<br />
U = 2006, 1980<br />
V = 2007, 1981<br />
W = 2008, 1982<br />
X = 2009, 1983<br />
Y = 2010, 1984<br />
Z = 2011, 1985<br />
<br />
The next two sets of number, "02", is the month the lens was manufactured. The number “02” shows that the lens was made in February.<br />
<br />
The next two digits, "07", is an internal code of Canon lenses and its meaning does not define its age.<br />
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By knowing these codes, you can know at a glance that these old lens is 2 years old,and was made in Japan in February of 2007.Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-59907920182154407812011-02-19T08:29:00.000-08:002011-02-21T08:07:58.762-08:00TIPS: Pocket Digital Cameras For Macro Photography<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic_MmXcVCkij4_M5SBvQhfc_lbb7V3nTMdUNCt4a8uYKbtOHjfSM7ldiaMEezB55Hrdn9C-NQsioDU1oDbLr_eIJCSc-shEHoEF7leK3ht5hYUt8uPegnFOKMdHeBJ49K41p8bkmJwiw/s1600/TIPS+Fotografi+Makro+pada+kamera+saku.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="361" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic_MmXcVCkij4_M5SBvQhfc_lbb7V3nTMdUNCt4a8uYKbtOHjfSM7ldiaMEezB55Hrdn9C-NQsioDU1oDbLr_eIJCSc-shEHoEF7leK3ht5hYUt8uPegnFOKMdHeBJ49K41p8bkmJwiw/s400/TIPS+Fotografi+Makro+pada+kamera+saku.jpg" width="400" /></a></div>If you want to buy compact cameras, both digital and regular film, try to buy ones with macro capability.<br />
<br />
Maybe you do not see the need for this feature until you look around the site www.fotografer.net with its stunning micro-photography.<br />
<br />
Do not be discouraged, pocket cameras can produce interesting macros, as long as you fllow these simple guidelines: <a name='more'></a><br />
<br />
1. Select the object that are not too small (like flowers, insects, body parts, the surface of things) and as much as possible choose stationary objects.<br />
<br />
2. Try to use natural lighting as much as possible.<br />
<br />
3. Place the camera on a tripod or a quiet, sturdy surface.<br />
<br />
4. Compose the objects so as to create a sharp narrow space feel (blurred background or foreground).<br />
<br />
5. If using a digital camera, set to highest resolution and lowest ISO (if any ISO setting).<br />
<br />
6. Make several photos with a variety of distances and exposure settings (EV), if available, or set the lamp / light sources. Record the settings for each experiment as a reference to determine an appropriate setting for the future.<br />
<br />
7. If using a digital camera, do not trust the camera's LCD screen to see the shots. If the memory capacity is too limited to create many combinations of images, immediately upload to the PC to see the results and repeat your experiments until results are satisfactory.<br />
<br />
8. Get to know your camera's macro capability (read the manual / specifications). Do not force the macro capability, such as too close or too far from the object and do not exceed the specifications mentioned because the results can certainly not be good.<br />
<br />
<a href="http://www.fotografer.net/isi/artikel/lihat.php?id=90"><br />
via Judhi Prasetyo, Fotografer.net<br />
</a><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy7r2SPt7f4CahcBKFI-T6igqMyfN62ahD_A2qp-tCUvxFwBFI19AtLr7BY2mHPJHgI4xqHxfN9PIwXC4uAN3N9JRUX_oNqQ59TFlmv_yA29rO27NM2Ip4MoRPU-drSw41ZvrH7CD_SQ/s1600/TIPS+Fotografi+Makro+pada+kamera+saku1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy7r2SPt7f4CahcBKFI-T6igqMyfN62ahD_A2qp-tCUvxFwBFI19AtLr7BY2mHPJHgI4xqHxfN9PIwXC4uAN3N9JRUX_oNqQ59TFlmv_yA29rO27NM2Ip4MoRPU-drSw41ZvrH7CD_SQ/s400/TIPS+Fotografi+Makro+pada+kamera+saku1.jpg" width="400" /></a></div>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-70251821409111007802011-01-16T07:11:00.001-08:002011-02-21T10:47:11.158-08:00High Speed Photography<div class="posterous_autopost">Chase Jarvis TECH : High Speed Flash Photography<br />
<object style="height: 390px;"><param name="movie" value="http://www.youtube.com/v/n6Er4W-gfwU?version=3"><param name="allowFullScreen" value="true"><param name="allowScriptAccess" value="always"><embed allowfullscreen="true" src="http://www.youtube.com/v/n6Er4W-gfwU?version=3" allowscriptaccess="always" type="application/x-shockwave-flash" height="304" width="500"></embed></object><br />
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</div>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-51691029461918156582011-01-12T03:39:00.001-08:002011-02-18T23:09:44.260-08:00Sound-Activated Camera Trigger v3.0 Video<div class="posterous_autopost"><p><object style="height: 390px;"><param name="movie" value="http://www.youtube.com/v/S10sH6UMSyE?version=3"><param name="allowFullScreen" value="true"><param name="allowScriptAccess" value="always"><embed allowfullscreen="true" src="http://www.youtube.com/v/S10sH6UMSyE?version=3" allowscriptaccess="always" type="application/x-shockwave-flash" height="304" width="500"></embed></object></p></div>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-11565682771396535372011-01-04T20:12:00.000-08:002011-02-21T10:56:36.074-08:00[BLACK BOX v3.0] THE NEW VERSION OF SOUND-ACTIVATED CAMERA TRIGGER<object height="390" width="304"><param name="movie" value="http://www.youtube.com/v/HuYVhylwIgA&hl=en_US&feature=player_embedded&version=3"><param name="allowFullScreen" value="true"><param name="allowScriptAccess" value="always"><embed src="http://www.youtube.com/v/HuYVhylwIgA&hl=en_US&feature=player_embedded&version=3" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" height="304" width="500"></embed></object>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-23027774571864803642011-01-04T20:07:00.000-08:002011-02-21T10:56:19.366-08:00[BLACK BOX v3.0] THE NEW VERSION OF SOUND-ACTIVATED CAMERA TRIGGERNEW AND REVOLUTIONARY!<br />
<br />
[BLACK BOX v3.0] SOUND-ACTIVATED CAMERA TRIGGER FOR HIGH SPEED PHOTOGRAPHY<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid4Be_eHtAdTvko-uFlhb5Ep6JRcozsd5U_Sgo1ftwRvzocltz20STSvEQiv08AE7BVF3cJM_0yfXTx2oKFtZvMbdcOFwcuI0S0kbjM-AZ35V1qn9PmspCsvOM9LHbTtel2tMWdJaFJQ/s1600/sound+activated+camera+trigger2.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5558549389812290866" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid4Be_eHtAdTvko-uFlhb5Ep6JRcozsd5U_Sgo1ftwRvzocltz20STSvEQiv08AE7BVF3cJM_0yfXTx2oKFtZvMbdcOFwcuI0S0kbjM-AZ35V1qn9PmspCsvOM9LHbTtel2tMWdJaFJQ/s400/sound+activated+camera+trigger2.jpg" style="height: 272px; width: 400px;" /></a> <br />
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SOUND-ACTIVATED FLASH TRIGGER FOR HIGH SPEED FLASH PHOTOGRAPHY<br />
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Specially for high-speed photographers and photography enthusiasts!<br />
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Essentially, this device will trigger the flash once an impact occurs (which will generate a sound) on the object that’s to be photographed. The sound is then received by the device and will the trigger the activation of the camera. Before turning on the camera device, there are a few settings to be made, from the settings of the light mode to the delay settings. With this device, photographers can shoot object impacts at high speeds with the right moment exposure. This device can work well in a dimly-lit room because when using this device, the camera’s shutter is on the BULB settings or its speed is less than 1 second. <br />
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*** Main Features ***<br />
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1. Uses an AT-Mega8 Microcontroller as its main control system.<br />
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2. Includes an internal sound activator which converts sound singlas into digital signals; and also includes a dial with which the user can set the sensitivity of the sound activator.<br />
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3. Also includes an external microphone/microphone condenser. A microphone jack is located on the side of the device, in which if an external microphone is plugged in, the internal sound activator is automatically deactivated.<br />
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4. Consists of 3 shot modes: SINGLE SHOT, MULTIPLE SHOTS, and STROBE SHOTS.<br />
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5. Consists of 3 delay modes: SOUND DELAY, MULTIPLE COUNTER, and STROBE COUNTER.<br />
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6. Powered by 2 9volt-batteries, making this device very compact and mobile.<br />
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7. Uses a 16x2 LCD as the display which eases the user in setting the desired modes.<br />
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***MODES***<br />
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1. SINGLE SHOT: this mode activates the flash device once in a single session.<br />
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2. MULTIPLE COUNTER: this mode activates the camera device as many times as it recieves sound signals.<br />
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3. STROBE SHOTS: this mode activates the camera device continuously as many times as it recieves sound signals.<br />
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***DELAYS***<br />
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1. Sound Delay: The duration of the delay between when a sound signal is received and when the sound activator activates a flash device.<br />
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2. Multiple Counter: The counter of the camera activation in the MULTIPLE SHOTS.<br />
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3. Strobe delay: The duration of camera activations desired during STROBE MODE.<br />
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Which includes:<br />
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- 1 unit SOUND-ACTIVATED FLASH TRIGGER<br />
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- 2 units of 9-volt batteries (already placed inside the device)<br />
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- 1 unit shutter release cable cable<br />
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- 1 unit manual and tutorial CD<br />
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- 1 month of hardware warranty and 6 months of firmware and maintenance warranty. ***<br />
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Place orders to:<br />
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Maulana N<br />
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Yahoo Messenger ID: Maulanaphotoworks<br />
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E-Mail: maulanaphotoworks@yahoo.com<br />
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For those residing in the DIY (Daerah Istimewa Yogyakarta) area, device can be tried/bought in person at the following address:<br />
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TOKO PINO<br />
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Jl. Tunjung Baru 15<br />
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Yogyakarta<br />
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55166<br />
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***Warranties void outside of Indonesia<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid4Be_eHtAdTvko-uFlhb5Ep6JRcozsd5U_Sgo1ftwRvzocltz20STSvEQiv08AE7BVF3cJM_0yfXTx2oKFtZvMbdcOFwcuI0S0kbjM-AZ35V1qn9PmspCsvOM9LHbTtel2tMWdJaFJQ/s1600/sound+activated+camera+trigger2.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuo1S3rV8PKL9hbCrvLuU2csJ_JKuRt_8ZE2J9Yop_67qqAYOeWtzOV6tBE0msyYfP2PwReyxKtYcZK5KwzUPF5-PV2mZQwoHsKdbUpYkNj6aiw9sCyg2-j27DZY-4idMpFW0tE_9ulw/s1600/sound+activated+camera+trigger.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5558549384966525010" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuo1S3rV8PKL9hbCrvLuU2csJ_JKuRt_8ZE2J9Yop_67qqAYOeWtzOV6tBE0msyYfP2PwReyxKtYcZK5KwzUPF5-PV2mZQwoHsKdbUpYkNj6aiw9sCyg2-j27DZY-4idMpFW0tE_9ulw/s400/sound+activated+camera+trigger.jpg" style="cursor: pointer; height: 272px; width: 400px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5w_ZOjpcqiBUZpNhjcO-PptLns1swMNvXAf9FQugAW9e0NJuNOfJaCpFVfuOY3-oGWA668zP5hvtdwNiW2YhdRe8dVapY3wfz0hqvlYNhgyE-UVcH3Mokpuhzq8gQA02TyTKmMBg3sw/s1600/sound+activated+camera+trigger3.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5558549392754849538" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5w_ZOjpcqiBUZpNhjcO-PptLns1swMNvXAf9FQugAW9e0NJuNOfJaCpFVfuOY3-oGWA668zP5hvtdwNiW2YhdRe8dVapY3wfz0hqvlYNhgyE-UVcH3Mokpuhzq8gQA02TyTKmMBg3sw/s400/sound+activated+camera+trigger3.jpg" style="cursor: pointer; height: 253px; width: 400px;" /></a>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-3440024073609109192010-03-28T11:12:00.000-07:002011-02-20T22:19:08.345-08:00Sound-Activated Flash Trigger<div style="text-align: center;"><a href="http://i39.photobucket.com/albums/e151/the_mloow/6-1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" height="310" src="http://i39.photobucket.com/albums/e151/the_mloow/6-1.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="http://i39.photobucket.com/albums/e151/the_mloow/4-3.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" height="310" src="http://i39.photobucket.com/albums/e151/the_mloow/4-3.jpg" width="400" /></a></div><br />
<div style="text-align: center;"><a href="http://i39.photobucket.com/albums/e151/the_mloow/3-3.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" height="310" src="http://i39.photobucket.com/albums/e151/the_mloow/3-3.jpg" width="400" /></a></div><div style="text-align: center;"><a href="http://i39.photobucket.com/albums/e151/the_mloow/2-3.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" height="310" src="http://i39.photobucket.com/albums/e151/the_mloow/2-3.jpg" width="400" /></a></div><div style="text-align: center;"><a href="http://i39.photobucket.com/albums/e151/the_mloow/1-3.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" height="310" src="http://i39.photobucket.com/albums/e151/the_mloow/1-3.jpg" width="400" /></a></div>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0tag:blogger.com,1999:blog-104409313424405925.post-1025253632135695212010-03-17T09:51:00.001-07:002011-02-18T23:13:20.538-08:00Sound-Activated Flash Trigger<object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/NYkwpFnl6sE&color1=0xb1b1b1&color2=0xcfcfcf&hl=en_US&feature=player_embedded&fs=1"><param name="allowFullScreen" value="true"><param name="allowScriptAccess" value="always"><embed src="http://www.youtube.com/v/NYkwpFnl6sE&color1=0xb1b1b1&color2=0xcfcfcf&hl=en_US&feature=player_embedded&fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" height="344" width="425"></embed></object>Maulana. Nhttp://www.blogger.com/profile/15061061496268096014noreply@blogger.com0